Lowering gain on the kemper works better then adding gain.High Gain - As much as the Kemper can do. Mid Gain - Just before the distortion gets muddy. Low Gain - Cleanest setting with the gain knob, just before it starts to break up. Gain High% - Master High% Where to set the different Values ? Now per channel do these combinations (for example) Of course this will cause many profiles but the systematic approach saves time afterwards and captures more of the amp. The same settings can sound drastically different with more or less poweramp saturation, that is why i recommend 2-3 poweramp settings and 2-3 gain settings. box, choose "no cab" and you can start profiling now! Turn the cab sim off or connect the mic cable to the d.i. Match eq again and do that until it is spot on.Then look where differencies are in the distortion itself and tweak the amp to fit the amp on the recording better.Load in the guitar stem of the sound you would like to copy (liverecordings or bands that use just one amp work best, if the production uses more sounds in one track there is no chance to do that).Record the cabless signal, play per string the whole octave with a powerchord or something dissonant to fill the spectrum.Turn the cabsim in the Torpedo Live off.If you use the the Torpedo Live + Match EQ IR (of your favorite Sound) Profile it so you have a cab for the following d.i.Get rid of fizz by lowering between 4 and 5k with a very high q.EQ the the sound beforehand to your liking.Plug the mic into a parametric eq or a digital mixer.
Look for a cab before profiling, to go for sure that it is tweaked like you want it.Hi! Sorry for the Title, this is my way of doing the profiles right now but there are many ways to do it.ġ.
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